The local sheriff and a few residents who were not contaminated, will try to escape the city and fight for they lifes. But things will get even harder when the government declares quarantine around the city.

The Crazies best reviews:

“I greatly prefer this cleverly sustained and efficiently relentless remake to the ’73 edition. It is lean and simple.”
Chicago Tribune by Michael Phillips -- Read Full Review

“The big difference between Mr. Romero’s film and Mr. Eisner’s--which is so intelligent you fear the fanboys will scatter--is that Mr. Eisner never gives us the military’s point of view. All we know is what David and Judy and Russell know, which for a long time isn’t much. And The Crazies is all the scarier for it.”
Wall Street Journal by John Anderson -- Read Full Review

The Crazies worst reviews:

“Eisner has almost nothing on his mind, no political rumblings, nothing behind the urge to upgrade vintage trash.”
San Francisco Chronicle by Amy Biancolli -- Read Full Review

“Has warmed-over chills and a muddled, zombie-like execution.”
New York Daily News by Joe Neumaier -- Read Full Review

Coton Marcus is a reverend who lost his faith, since he lost his son. He is called to perform an exorcism in Louisiana, and although he does not believe it, he thinks this is better for that family, to think they are free from evil.

So he agrees to bring two people with him to Louisiana, to do a documentary of he´s life and work.

When he arrives to Louisiana, to do the exorcism of the daughter of Louis Sweetzer, which is a religious fanatic, the Rev. Cotton thinks that this will be just another exorcism, but soon discovers it is not as easy as he thought.

The Last Exorcism best reviews:

“It’s scary fun and packed with comic bits that skate between sad and absurd like the best of reality TV. “
Boxoffice Magazine by Sara Maria Vizcarrondo -- Read Full Review

“The method is well-worn and the subject-matter familiar, but this is a smart, scary little picture.”
Empire by Kim Newman -- Read Full Review

The Last Exorcism worst reviews:

“Patrick Fabian is charming as Marcus, and director Daniel Stamm delivers a series of surefooted scares as the staged possession turns real. But the movie is still unsatisfying; in its eagerness to deliver familiar genre pleasures, it somehow misplaces its soul.”
Chicago Reader by Noah Berlatsky -- Read Full Review

“The Last Exorcism trods on previously stomped ground and has almost no good jump-outta-your-seat moments.”
New York Daily News by Joe Neumaier -- Read Full Review

He’s always walking on the streets and taking pictures, on his´s travels he meets a gang of hooded men who wears masks of demons, when people began to appear dead, he will discover that that gang is anything but normal.

Heartless best reviews:

“Unpredictability isn’t this horror film’s strength, but it’s stylishly crafted and excellently acted, and it boasts an abundance of heart in every sense of the word.”
Entertainment Weekly by Clark Collis at Dec 12, 2010 -- Read Full Review

“How brazenly can one film rip off “With erratic success, Heartless tries a number of different veins-urban fairy tale with “There was no magic, it was you all along” twist, supernatural family drama-but it’s on firmest footing as a macabre comedy.”
Village Voice by Nick Pinkerton at Dec 12, 2010- Read Full Review

Heartless worst reviews:

“We know how these bargains turn out, so all we’re left to do is watch pretentious exchanges about grief pile up, laugh at the way the movie exploits its Indian-girl-as-innocence-personified notion and wish that Eddie Marsan’s giddy cameo as Hell’s personal weapons dealer were much, much longer.”
Time Out New York by David Fear at Dec 12, 2010- Read Full Review

“This is the art-house equivalent of a Clive Barker splatterfest, punctuated by mildly amusing stabs at Lynchian absurdity and compromised by an incoherent plot twist that would leave M. Night Shyamalan rolling his eyes.”
Chicago Reader by Cliff Doerksen at Dec 11, 2010 Read Full Review

In that evening, he found out that the nanny probably was right, when some weird events begin to happen, and he discovers that house is haunted.

Paranormal Activity 2 best reviews:

“Even when nothing is happening, the often dead-silent shots tend to grow scarier the more you look at them.”
Entertainment Weekly by Owen Gleiberman -- Read Full Review

“It delivers its considerable moments of terror in the same way the original film did. But it does deliver.”
Arizona Republic by Bill Goodykoontzm -- Read Full Review

Paranormal Activity 2 worst reviews:

“An efficient delivery system for Gotcha! Moments, of which it has about 19. Audiences who want to be Gotchaed will enjoy it.”
Chicago Sun-Times by Roger Ebert -- Read Full Review

“Paranormal Activity 2 sinks much lower than it needs to in order to get a rush out of us -- and in the end, the rush isn’t even that great. The movie puts us through the paces with minimal payoff.”
Movieline by Stephanie Zacharek -- Read Full Review

Later, she returns with a group of hunters to retrieve her family bodies and to find Victor and get her revenge.

Hatchet II best reviews:

“Adam Green’s inventively gruesome slasher is the widest unrated release in 25 years”
Boxoffice Magazine by Amy Nicholson -- Read Full Review

“Hatchet II is distinguished both by a funky, frisky sense of humor, and gore of great quality and quantity.”
The A.V. Club by Nathan Rabin -- Read Full Review

Hatchet II worst reviews:

“Every boogeyman and slasher cliché this movie borrows was better somewhere else. Although it probably wasn’t grosser.”
Boston Globe by Wesley Morris -- Read Full Review

“Say a prayer that there’s no “Hatchet III” in the future.”
New York Post by V.A. Musetto -- Read Full Review

Royce and a group of the top warriors wake up, when there are falling from the sky in a parachute, into a jungle.

Nobody remembers anything and nobody knows where they are, distrustful of each others and trying to get out of that place, they start to experience what they used to make to other people, something or someone is hunting them.

Predators best reviews:

“Antal is a professional who respects your dollars. In a season where the blockbusters are as flat as month-old soda, that’s the most romantic gesture a commercial filmmaker can make.”
Boston Globe by Wesley Morris -- Read Full Review

“After 23 years and three attempts, Predators finally delivers a solid sequel to the Arnold Schwarzenegger B-movie classic.”
New York Post by Lou Lumenick -- Read Full Review

Predators worst reviews:

“You can’t fool me. I know it’s actually a parlor game.”
San Francisco Chronicle by Amy Biancolli -- Read Full Review

“As far as unnecessary movies go, Predators is a pip.”
St. Petersburg Times by Steve Persall -- Read Full Review

Edward Dalton is a vampire who sympathizes with humans, which has been trying to figure out how to produce a synthetic blood so that the vampires no longer need to drink human blood.

But than Edward meets a group of vampires, who tells him they found something that can change everything, something that can save the human race.

Daybreakers best reviews:

“A darkly stylish horror film.”
Time Out New York by Joshua Rothkopf -- Read Full Review

“Peter and Michael Spierig’s earlier, campier horror outing, the zombie picture known as “Undead,” was even bloodier than this one. The movie-makers are after bigger game here, and a subtler mixture of speculative nightmare and action film.”
Chicago Tribune by Michael Phillips -- Read Full Review

Daybreakers worst reviews:

“Daybreakers is a stylish but unavoidably silly sci-fi vampire thriller.”
Orlando Sentinel by Roger Moore -- Read Full Review

“Any higher intentions are brought crashing down by predictability, wooden characters, giggle-inducing attempts at scares (shrieking bats, anyone?) and cinematography so gloomy it should be checked for serotonin deficiency.”
Los Angeles Times by Michael Ordona -- Read Full Review

Soon they start to discover the Elm Street secret and that the man of they dreams, is Freddy that was burned years ago.

When people start to die, they realize that Freddy is back, and they can´t get into sleep …

A Nightmare On Elm Street best reviews:

“A fine copy.”
Time by Richard Corliss -- Read Full Review

“It’s not every day that one of our rogues’ gallery of iconic psycho killers gets to be played by a creepy and fascinating actor — in this case, Jackie Earle Haley taking on the role of Freddy Krueger.”
Entertainment Weekly by Owen Gleiberman -- Read Full Review

A Nightmare On Elm Street worst reviews:

“Using blasts of shrill, high-decibel noise in place of actual scares has become a common horror-movie tactic, the cinematic equivalent of botox, silicone, and penile-enhancement surgery. Producer Michael Bay and director Samuel Bayer deploy the tactic so regularly in this remake of Wes Craven’s 1984 classic that after a while I just plugged my ears.”
Chicago Reader by J.R. Jones -- Read Full Review

“Good ol’ Fred loses any sense of playful shock he once possessed and turns into a generic figure meticulously manufactured to simultaneously gross and freak us out. It doesn’t work.”
Washington Post by Jen Chaney -- Read Full Review

Alice find some survives and she´s trying to take them to Los Angeles which is supposedly to be secure.

When they arrive to Los Angeles, Allison and the survivors encounters a city infested with undead, and they have to fight to stay alive and they don´t realize they are falling in an deathly ambush from the Umbrella Corporation.

Resident Evil:Afterlife best reviews:

“Really, the whole series would be unthinkable without the films of George Romero. In that respect, Anderson has taken another page from the Corman playbook for his superior B-movie: If you’re going to steal, at least steal well.”
The A.V. Club by Nathan Rabin -- Read Full Review

“Shot in actual 3D rather than being the latest example of the horrible post-shooting conversion process, “Afterlife” undeniably looks terrific.”
The Hollywood Reporter by Frank Scheck Read Full Review

Resident Evil:Aferlife worst reviews:

“It’s a humorless movie of morphing zombies (they take on beastly attributes), phoned-in performances and trite dialogue.”
Orlando Sentinel by Roger Moore -- Read Full Review

“Afterlife is slow-moving but relentless, and judging from a post-credits teaser that promises yet another sequel, it has an unquenchable appetite for your brain cells.”
Entertainment Weekly by Jeff Labrecque -- Read Full Review

Lawrence returns to his hometown, to the house of his strange father and start find for his brother, but what he finds is a bloody trail of death and a horrible fate for him.

The Wolfman best reviews:

“Doggedly, or rather wolfishly, the film doesn’t go in for camp or mirth, at least until its misjudged and semi-endless wolf-on-wolf climax.”
Chicago Tribune by Michael Phillips -- Read Full Review

“Del Toro, with his melancholy-brute features, endows this raging beast with some of the ”Why me?” poignance you may remember from Lon Chaney Jr.’s performance in the original.”
Entertainment Weekly by Owen Gleiberman Read Full Review

The Wolfman worst reviews:

“Johnston fails to make a story set in 1891 England relevant to contemporary audiences.”
Miami Herald by Rene Rodriguez -- Read Full Review

“Speed can be a virtue, but there’s something extremely off-putting about the way The Wolfman, Universal’s latest horror classic redux, races through its opening scenes.”
Time Out New York by Keith Uhlich -- Read Full Review